This paper briefly explores the ontological ethics of St. Maximus the Confessor in light of the modern shame/guilt distinction. As many prominent commentators have affirmed, a virtue-based or ontological sense of ethics is intrinsic to or...
moreThis paper briefly explores the ontological ethics of St. Maximus the Confessor in light of the modern shame/guilt distinction. As many prominent commentators have affirmed, a virtue-based or ontological sense of ethics is intrinsic to or at least presupposed by the Confessor's great theological synthesis. Appropriating but simultaneously transcending Aristotelian and Stoic naturalism, Maximus establishes the chief virtue of love as the ontological locus of being, the δύναµις that enables the eschatological wholeness of nature and a genuine reciprocity between rational beings. Inasmuch as every authentic virtue constitutes a manifestation of love and its nature-constituting properties, the habituation of virtue and the resulting disposition occurs in relation to an 'other'. The activity of virtue is an ontic movement towards one's Creator and fellow creatures, achieving a functional community of nature and a perichoretic relationship with the divine. Conversely, an unvirtuous disposition and the habituation of vice facilitate a rupture in nature and movement towards solipsism, a reality that is represented par excellence by Maximus's discussions of the ontological mechanisms involved in humanity's fall. As this essay proposes, the reciprocal or relational approach to virtue manifested in the Confessor's synthesis is consistent with the criteria of certain modern ethical approaches that affirm the natural superiority of shame over the individuating emotion of guilt. Indeed, it seems quite probable that Maximus would have great sympathy for Bernard Williams's endorsement of shame as an ethical emotion, insofar as it implies that the subject who undergoes shame is the member of a community who fails to live or act in a " cooperative or self-sacrificing manner. " The ethical dimensions of the Confessor's synthesis, therefore, constitute a very interesting and provocative alternative to the majority of contemporary Christian approaches to morals, which, in Kantian fashion, typically fixate upon the autonomous fulfilment of abstracted principles and rely on the inner-directed or insular emotion of guilt to correct behavioural lapses. In his provocative and challenging work, Shame and Necessity, Bernard Williams argues for the inherent inadequacy of modern approaches to morality, outlooks that are dependent, in his view, upon modes of 'inner-directedness and guilt'. (1) Following Nietzsche's spirited critique of European morals in his Genealogy of Morals, Williams argues that the Judeo-Christian tradition has bequeathed a moral psychology to the modern western human that is primarily guided by